Istanbul , a city known for its beauty and unique to arise in two different continents, is hosting two artists from the three-dimensional painting. While Kurt Wenner is dedicated to painting the Ba? Dat Avenue, on the Asian side of the city, Julian Beever expresses his art from the parts of Ni? Door?, On the European side.
Too many people still believe that Turkey is a country so tied to tradition Islamic not to be able to look to Europe more libertarian. Instead it is a country continues to change rapidly and Istanbul is proof . In addition to its vast ancient heritage, is a city that offers more and more attractive in terms of cultural and welcome these teachers’ street art is another way of showing the world not only as a city of the sultans. Julian Beever uses a technique called projection anamorphosis to create the illusion of three dimensions, if you look at the Painted from the right point of view. Often unable to locate an individual within the same image as if it were interacting with the scene. Beever performs the first drafts of work on paper, then, upon reaching the final concept, the design looks through the lens of a camera and using a wide angle lens camera for use create an optical illusion that distorts the actual size of objects and help him maintain perspective.
/> Beever is an independent artist who works internationally, particularly by creating murals for companies. In 2010, Beever published a book entitled “ Pavement Chalk Artist ,” which includes photographs of many works around the world.
Kurt Wenner is known for Cowboy paintings in 3-D . Even those made following the technique of anamorphosis, an optical illusion effect that an image is projected on the plane in a distorted way, making the original subject recognizable just by looking at the image itself to a precise location.
National Geographic has made a documentary from the original title ‘ Masperpieces in Chalk ‘, literally ‘Masterpieces in chalk’, which ranks among the new forms of art this technique of painting on the streets. All buskers can trace the roots of their work in Rome, when Wenner in 1982 has transformed the classic Italian architecture, compressed into a new form of folk art.